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The Worlds of Lincoln Kirstein, by Martin Duberman
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A rich and revelatory biography of one of the crucial cultural figures of the twentieth century.
Lincoln Kirstein’s contributions to the nation’s life, as both an intellectual force and advocate of the arts, were unparalleled. While still an undergraduate, he started the innovative literary journal Hound and Horn, as well as the modernist Harvard Society for Contemporary Art—forerunner of the Museum of Modern Art. He brought George Balanchine to the United States, and in service to the great choreographer’s talent, persisted, against heavy odds, in creating both the New York City Ballet and the School of American Ballet. Among much else, Kirstein helped create Lincoln Center in New York, and the American Shakespeare Festival in Stratford, Connecticut; established the pathbreaking Dance Index and the country’s first dance archives; and in some fifteen books proved himself a brilliant critic of art, photography, film, and dance.
But behind this remarkably accomplished and renowned public face lay a complex, contradictory, often tortured human being. Kirstein suffered for decades from bipolar disorder, which frequently strained his relationships with his family and friends, a circle that included many notables, from W. H. Auden to Nelson Rockefeller. And despite being married for more than fifty years to a woman whom he deeply loved, Kirstein had a wide range of homosexual relationships throughout the course of his life.
This stunning biography, filled with fascinating perceptions and incidents, is a major act of historical reclamation. Utilizing an enormous amount of previously unavailable primary sources, including Kirstein’s untapped diaries, Martin Duberman has rendered accessible for the first time a towering figure of immense complexity and achievement.
From the Hardcover edition.
- Sales Rank: #1407756 in eBooks
- Published on: 2009-02-04
- Released on: 2009-02-04
- Format: Kindle eBook
From Publishers Weekly
A central figure in 20th-century American modernism, Lincoln Kirstein (1907–1996) edited a pioneering literary magazine and was the driving force behind George Balanchine's revolutionary New York City Ballet. Bancroft Prize–winner Duberman (Charles Francis Adams) reveals in his absorbing biography a man blessed, agonizingly, with great artistic taste and vision unaccompanied by artistic talent. Born of a wealthy Jewish family but unable to personally finance his many schemes, Kirstein became a frenzied impresario of the avant-garde, perpetually sweating out budget shortfalls and opening night reviews and pestering philanthropists for funds to bring high-brow dance to suspicious but increasingly receptive American audiences. His was a high-wire life—despite artistic triumphs, NYCB teetered on the brink of bankruptcy for decades—sustained by a stupendous manic energy (later darkening into demented fits that necessitated electroshock) and enlivened by a parade of lovers of both sexes, including his own brother. Kirstein met everyone from Martha Graham to General Patton. Through Kirstein's funny, perceptive diary jottings and letters, Duberman paints an engaging portrait of bohemian New York and its high-society patrons. Kirstein's tornado life and crazy-quilt projects can be bewildering, but Duberman conjures an indelible sense of a creative urge that became a tortuous pilgrimage toward an enigmatic muse. 36 pages of photos. (Apr. 19)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
As the author of foundational works in modern gay history, award-winning biographer Duberman is uniquely qualified to chronicle the many-faceted life of influential arts advocate Lincoln Kirstein. Unconventional from the cradle and free to follow his passions thanks to his family's department-store fortune, Kirstein was blessed with "charismatic brilliance," prodigious energy, and an entrepreneurial spirit, if plagued with an "easily overwrought nature." Duberman details Kirstein's herculean efforts to establish choreographer George Balanchine in the U.S and tells phenomenal stories of Kirstein's role in World War II's Arts and Monuments Commission's dramatic discovery of stolen masterpieces and intelligence gathering in pro-Nazi South America. A crucial force in the vitality of the Museum of Modern Art and Lincoln Center, Kirstein led a complicated personal life. Married to Fidelma (sister of the artist Paul Cadmus), Kirstein enjoyed many affairs with men, and both he and Fidelma eventually suffered bouts of mental illness. Duberman offers a remarkably candid and profoundly insightful portrait of a "consequential if controversial figure in the art world," a man of dazzling gifts and convictions. Donna Seaman
Copyright © American Library Association. All rights reserved
Review
“The arts in America owe plenty to Kirstein–a brilliant, omnivorous personality who died in 1996. From the 1930s to the 80s he worked as a presenter, promoter, fund-raiser and impresario. He made his mark on the dance world by cofounding the New York City Ballet with choreographer George Balanchine. But Kirstein’s worlds were not all highbrow and haughty: Duberman dares to consider Kirstein’s tumultuous, sometimes clandestine and juicy private life as evidence of his high tolerance for risk–a necessary quality when bringing bold new art to a suspicious public.”
–Time Out Chicago
“Impressive . . . gripping . . . Duberman digs deeply, and compassionately, into [Lincoln Kirstein’s] queer core, illuminating how Kirstein’s sexuality shaped his impact on American arts, from the New York City Ballet to Lincoln Center. Dance fans will delight at Duberman’s astute, unsparing critical summation of his bitchy, brilliant subject’s relationship with dance choreographer George Balanchine . . . [Anyone] interested in Manhattan’s gay demimonde will have great fun connecting the homosexual dots.”
–The Bottomline
“The encomia have been arriving this spring, for [Kirstein’s] centenary. He is credited with bringing ballet to America . . . [and] it was [Kirstein and George Balanchine’s] efforts that, in time, created a truly American style of dancing. . . . Duberman enumerates Kirstein’s many endeavors in this important biography, the first. Among other things, Kirstein started the literary journal Hound and Horn and also founded the scholarly journal Dance Index; he helped create a groundbreaking art society at Harvard; he had a role in shaping Lincoln Center; wrote fifteen books and countless articles on dance, literature, art, and film; laid the foundation for a Latin American art collection at the Museum of Modern Art...
Most helpful customer reviews
12 of 12 people found the following review helpful.
Overwhelmed me with nostalgia
By D. Donohue
The Worlds of Lincoln Kirstein is terrifically detailed and sweeps the reader into the best years of New York, especially. I could not put it down and walked around carrying this massive tome everywhere because I could not be parted from it. He truly crossed paths with EVERYONE, and it was enthralling to realize how one did that then. Duberman is frank and honest about the material that causes unease, particularly about fascism and social ambitions of some of Kirstein's colleagues over the years. His life was so layered, like a mille-fleur pastry, that Duberman has to keep sweeping back across the same period of months again and again to get it all, which takes some getting used to, but, by 1934, seems as natural a way as any to make the portrait complete.
8 of 8 people found the following review helpful.
One Man's Art World
By Christian Schlect
A superb biography of a complicated person who was not only a key figure in the development of ballet in America, but a cultural leader in a wide sweep of artistic endeavors over most of the last century. While his creative partnership with George Balanchine is central to this book, Lincoln Kirstein also had important early roles in introducing many modern painters to the public and with various fine literary endeavors.
The author, Mr. Duberman, does not flinch from Mr. Kirstein's "own varied sexual-affectionate history." Potential readers should know this is an unusually candid account of a notable person's private life.
While not a high-lighted part of this book, I especially admire Mr. Kirstein's service in World War II as one of the "Monuments Men", who helped save a large part of European art at the end of World War II. Readers interested in this overall effort might wish to read "Rescuing Da Vinci" by Edsel.
(The book's jacket design by Chip Kidd is first rate.)
6 of 7 people found the following review helpful.
Academic and a bit remote for general readership, but some fine history and interesting stories
By H. Williams
At the September 2009 of the NYC LGBT Center book discussion group, we had a small but very smart and vocal group that read the "The Worlds of Lincoln Kirstein" by Martin Duberman.
I think that we all wanted to learn more about Lincoln Kirstein and wanted to like this book, but almost everyone agreed that something "didn't click" in this epic biography. While there were lots of
amazing events and interesting stories and huge personalities, there was not an overarching view of Kirstein's life or accomplishments. The organization seemed a bit muddled. Sometimes there was was just too much damn detail. Lots of valuable information was buried in the text. There was no attempt to dramatize events or make the point of some of the incidents clear. There was a lot of sex (which was good) but it was unclear why some of the stories were in the book.
One reader pointed out that Duberman was not invited to any of the Lincoln Center activities celebrating ABT and Lincoln Kirstein's anniversary after the biography came out, so he ruffled feathers with this definitive biography including the stories of Kirstein's bouts of manic depression and later mental illness.
But for this general interest reading group (even if we are all smart queers in NYC), it all seemed a bit remote and academic for such a major figure in NYC and the American arts.
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